So the ad homine fallacy bites the dust.īut i find that these days, of all days. In 1938 he was already disillusioned by it. Of politicians: but immediacy historians.Īnd forget the fact that he joined the **** party? Journalists forgot they were not kindred spirits Restaurant reviews: real, real journalism,Īll the grit you'd expect from a warzone. The sunday editions, when the petty bourgeoisieĪlbum reviews, book reviews, t.v. Whereby journalists are as untrustworthy as politicians,Īnd of what remains, come the saturday and They are really gone: what the hell was gamer-gate With people like Bob Woodward and Carl Bernstein. Then again: gone are the days of closely associated I'm sorry, i have no empathy for these youtuber "creators", wow, i never thought it would ever be possible, I am warm, I am wearing a leather jacket and a fleece vest over a brown t-shirt. I watched the first episode of Ash VS Evil this morning. I record stories and poems on casette tapes, they find their way into simple installations. I notice that my fingers already hurt from typing, or maybe from sending text messages from my phone. I eat and drink at breakfast, lunch and dinner. I signed up for a few courses, my academy requires it's students to do so. The girl next to me changed between videos. The cables of the computer hang against my feet and are slightly irritating. I think about the amount of documents that must have been scanned on the machine, there are scratches on it. I think my classmate has a funny way of typing, she seems to be talking to a friend on facebook and I am not creepy at all. The head of the author is filled with chaotic thoughts. I am wearing Adidas shoes, they were considered cool when my ex's uncle gave them to me as a present I felt reluctant to take them. The words released onto youtube spell titles of songs. I visited my personal coach who helps me in school, we discussed my plans for the weeks. The words are on the wall and on the glass window. The white artwork is skeletal and weblike at the same time. The fingers of students on keyboards seem to tickle my eardrums, they are a bit intrusive. I remember that my classmate records the traces of people trough frottage, it's interesting. I rode my bicycle to my university, the road was broken up and I had to be creative in my driving. The door of the toilet is opened and a girl with heavy dark make up steps trough and makes her way back to her work. The noise in the background is noticable. The large television in the library is turned off. I am anton, I am a man in my late twenties. I liked it, it was great though I am not a fan of the cgi blood used in some scenes. The silvery-blue artwork is made of old plastic bottles. I don't know what the song should be about, in fact I would like it to be about nothing which is something not easily done. The librarian remains silent, with a sporadic amount of mouse-clicks to break up the quiet atmosphere. I think it should rain but the clouds seem reluctant to do so. The reflection of a grey sky can be seen when looking up. The artworks behind the window looking into the hallway look partly improvised and partly thought out. I look to my left and see a large flatbed scanner, it says EPSON in big capitals and in smaller capitals it says "GT-20000". I took no pictures today even though I brought my analog photocameras, there is no visual recording of this day. The people in the main hall can be heard all the way on the other side of the library. I look to my right and see a classmate watching videos on youtube about boards of canada, if she looks to her right there's a girl looking at her cellphone, the video has bicycles. Scared, sacredly, he finally hands the librarian his match Lonely, shaking, only the conqueror made it Untraceable lines, he knows the army is at his door Ice clumps brushing gently against his shipsĬold enough to **** a horse, set blood aglow He bobs back and forth across his body of water This engaging study provides readers with a natural history of the vampire, an examination of the work of Bram Stoker, a history and analysis of many film adaptations of Dracula, a survey of contemporary criticism and theory, and an extensive annotated bibliography of vampire film, fiction and criticism.Lantern fixed upon a frame, making his boat top-heavy Holte suggests that vampire films and Dracula adaptations have become an independent genre, the dark romance, with its own set of narrative conventions and audience expectations combining horror and eroticism. This study traces the changing nature of film representations of Dracula, from the early silent adaptations to recent popular dramas. One hundred years after his creation by Bram Stoker, Dracula is still fascinating us.
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